One reason for the overwhelming popularity of the play throughout the ages is that it focuses on two people who defied society in order to follow their own hearts. Shakespeare scholar Walter Cohen cites the popularity of Othello during times of great rebellion and upheaval; the play was most popular during the European wars of the mid-19th century, the fall of Czarist Russia, and also during World War II in America. These productions tended to emphasize the nobility and love of Othello and Desdemona, and made their fall seem more tragic and ill-deserved.
Enter OTHELLO, LODOVICO, DESDEMONA, EMILIA and Attendants
I do beseech you, sir, trouble yourself no further.
OTHELLO O, pardon me: 'twill do me good to walk.
LODOVICO Madam, good night; I humbly thank your ladyship.
DESDEMONA Your honour is most welcome.
OTHELLO Will you walk, sir?
DESDEMONA My lord?
OTHELLO Get you to bed on the instant; I will be returned
forthwith: dismiss your attendant there: look it be done.
DESDEMONA I will, my lord.
Exeunt OTHELLO, LODOVICO, and Attendants
From a modern feminist viewpoint Desdemona may be judged harshly for answering Emilia, when she asked who has mortally attacked her, "nobody; I myself. Farewell." Furthermore, she seemed resigned to her fate at the hands of her husband. While contemporary audiences may interpret these actions as unfathomable, they highlight the goodness of her character. Desdemona is described by others in the play with words that symbolize goodness - light, white, fair, delicate, alabaster. By the end of the play, Desdemona begins to symbolize goodness itself, so her reaction to her murder becomes another element in Othello's tragic end. Desdemona still loves Othello, though he is mistaken, and she goes to her death professing her husband's reputation. A modern audience may wish for a response that is less melodramatic, but that is not the world that Shakespeare has created in this play.